In-camera editing is a technique where the shots are filmed in a strict order, and no editing, re-ordering or cutting is taken place. Therefore the film is completely finished after the developing stage. This technique is generally used for people who want to skip the editing stage or want to create a film simply.
Digital filmaking is now the general process of sequencing shots together. This is where all the footage is uploaded and placed together using digital products, such as Adobe or Avid. This can also include placing on special effects, which can be good for fantasy, action, science-fiction films etc. This is definitely the most common technique today, however before these tehcniques were avaliable films were edited together using splicing. Splicing is where a physical device is used to join lengths of photograhic film together by hand.
Editing also involves having to somehow transition between one scene and the other. The general and most simple transition used is called a cut. Cuts are when there is an abrupt change between one shot and another, and they can generally make a film flow quite well when the continuity is right, such as during a match-on-action. Next is the dissolve, which in contrast to a cut is a gentle change from one shot to another. A dissolve generally indicates that a period of time has passed. This is why dissolves are used a lot in montages. A wipe is when a shot replaces another by slowly appearing from one side of the screen and moving across. This kind of transition is rather artistic, but can also be used as a way to start another scene. This type of transition is also used somewhat in animation. The last transition to mention is a fade. A fade usually shows that something has ended or something is beginning, as the shot will gradually be brought up from black or down to black (or sometimes white). This can gradually bring the viewer into a scene.
A very important aspect of editing is making sure that the shots flow well together to make the viewing experience better and more understandable for the audience. This is overall called the continuity system. This generally makes sure that audience doesn't become aware of how a product is constructed together. There are a range of different techniques that fall into the category of continuity.
Fistly there are establishing shots, which are generally used at the beginning of a scene shortly to show the audience where a scene takes place. Generally these shots are taken from a far angle (long shots, ariel shots etc.) in an exterior location. The example I have found for this is from the film The Holiday (video). At the beginning of this scene you can see that for about 3 seconds it shows that place where they are arriving. The car doesn't necesarilly have to be theirs, because the audience gets the idea straight away that this is the location that they are in. If this shot was not there, then the audience would possibly feel confused at a jump between the last shot of the previous scene and the start of this one, because there would be no indication that their location has changed. This is why establishing shots are imporant in continuity.
If a scene has a conversation between two people, making sure that the audience follows along with the conversation is important. This links to the 180-degree rule and shot-reverse-shots. The 180-degree rule is vital to make sure that the audience doesn't get confused of the placing of the characters.
After watching the scene above you can see how the 180-degree rule applies. The camera must stay in a 180-degree area, and not doing so will end with shots becoming muddled and the position of the characters changing. This will make the conversation less easy to follow, and leave the audience confused. You can see in the scene that the camera stays over the left shoulder of the male and the right side of the female. This is overall effective as it helps the audience grasp the situation of the scene and helps them stay focused on the characters and their emotions, rather than them becoming confused about where they're placed.
The type of shots used here are also known as shot-reverse-shots. This type of shot is most important during a conversation, as it allows the audience to see both sides and allows them to also grasp the atmosphere and emotions. When these shots are placed together, it helps the audience understand that they are looking and interacting at eachother. In this extract, it helps us see that these two characters are having a conversation and we should focus soley on this two characters only and what they are saying. Because the shots keep reversing backwards and forwards, this gives an equal amount of screentime for each character, and allows us to feel connected with both of them equally and understand the range of emotions making the scene more atmospheric.
These type of scenes also allow for motivated editing. One of the main shots in motivated editing called an eyeline match. This is where the eyes of a character in a conversation are used to help the audience understand what they are seeing. For example, in this shot you can see that she is looking forward off-screen and then in the next shot, you can see that it cuts to what she is looking at, and at this point the audience can also work out what he is looking at too because of his eyeline. This is very important for continuity because it helps the viewer follow a scene without any confusion. It's also effective because at the beginning we want to find out what the character is looking at, adding suspense and drama, helping the audience engage with the film and feel more connected.
Another type of editing which is used the majority of the time are match cuts on action. This is where an action begins in one shot and then follows on into the next, which can allow for a smooth flow during an action which can be important for continuity and for ease of viewing. In this scene a match on action happens when she opens the door. If we didn't have the shot filmed closer up, than it wouldn't of been as effective. This is because the audience needs to feel the same excitement of the female character as she opens the door and sees who is behind it. As the door opens so quickly it is hard to get any stills, however this shot takes place between 9 and 11 seconds.
It is important in any film that the audience feels connected with the main character and overall knows who they are clearly. In order to do this successfully, the filmmaker must make sure that they use range of different techniques to ensure that this happens. The viewer must be able to connect and indentify the main protagonist easily.
I have chosen this particular extract from Eternal Sunshine of the Spotless Mind because it shows two main characters. However, one of them is a lot more important than the other, and this is shown by the fact that he has many more close-ups, a point-of-view shot, slightly more screen time and reaction shots.
Point-of-view shots are used so that the audience can see what the main protagonist is looking at, making us feel more involved. It makes us feel more involved because we can feel what the character is experiencing as if we were there ourselves, and this is why they are so effective. Just before this shot we see the main character looking at something, and then it cuts to this POV. This is effective because while it helps us understand what the other female character is like, it also makes the viewer more involved in what's happening with the main protagonist, which is very important for progression.
After the female character says something in a conversation, it immediately cuts back to the male character, showing his facial expression reasonably close. This is a reaction-shot because it his showing his response to something that has been done/said. These are imporant for building chracter, as reaction shots show how the character acts in certain situations helping us understand their personality etc. This also helps the audience feel the same way, which can be imporant for building up emotions.
I think that this scene from Eternal Sunshine of the Spotless Mind shows very unique editing, especially nearer the end. There are many features of a montage, however for this scene certain cuts and images are used to give a strange effect which links to the main character, Joel, being in a memory. The shots from 2:15 to 3:00 are edited together much like a montage because some shots flash up (mostly being flash backs), there are a range of different colours and there is a rather strange atsmophere. In my opinion, these montage effects are very effective because they show a lot of creativity while successfully showing the fact that he is going through flashbacks.
The amount of screen time that Joel has compared to anyone else shows that he is the main character. Because of the amount of time that he is in the film, the audience can successfully engage with his story rather than being distracted.
This scene also has some cutaways, where the dialogue still runs however the shot changes to one of him not speaking. This part is at 1:11 where he is sitting on the couch. This could of been used for shot variation or to make the scene more atmospheric, however I think it was used to help show that more time has passed than you think. Shot variation is important to make a film visually appealing and keep the audience interested. There are plenty of different shots that can be used such as establishing shots, long/medium/close up shots, birds eye view, high/low angles, pans, tracking and zooming shots. Making sure that the content and the shot link well together is vital, as this will ensure that your film will be successful and professional. The scene above shows a few range of shots, such as the ones below. You can see that these are very different and are really visually appealing which makes the film a lot more enjoyable for viewing.
This scene above also uses many jump-cuts. Jump-cuts is when there is an abrupt transition from one shot to the other, which generally does not flow smoothly. The position of a character may suddenly change and editing like this can represent a quick change of time. Jump-cuts in this scene help us feel more displaced as this scene itself is representing memories, so this is why it is an effective technique. It also helps show a wider range of emotions more quickly, and helps us feel more connected to the main protagonist.
There is also the technique of showing a scene from multiple points of view. This is when a range of different shots are used in one scene to show the content from different angles or 'points of view'. Examples of this is generally throughout the whole scene, as we see multiple different angles of the male character as he is talking, we see shots of what's below him and also an exterior shot of where is is. This is overall good for making a scene more visually interesting and helps the audience feel more involved as they can get a better idea of how and where the scene is taking place.
One last technique here that has been used is cutting to a soundtrack. Generally this is used in music videos however many films also tak on this technique. This is where a particular scene is motivated by using music, sometimes specifically made for the film or even the rights for a song have been bought. From 2:11 a song made on piano begins, which helps bring out the emotion from the whole scene itself. Music during films is generally vital for making emotions more dramatic.
Some other techniques include providing and withholding information. This is when information is given at certain points in the film but the most important aspects are kept secret until another point in time. This is an effective technique because it make the audience curious and it is generally used in horrors, crime and dramas. In horrors, this technique may be used by showing an attack at the beginning of the film, but who exactly was attacked is shown only at the end which can overall bring up tension and make the audience want to be more involved.
Another technique is parallel editing/cross cutting. This is when two or more scenes at different locations are edited to give the effect that they are happening at the same time. One of the most famous parallel edits is from The Silence of the Lambs. You can see that it switches between the interior shots and the exterior shots continuously, and the way that they are edited adds tension and you just want to see what happens in the end. This also links to editing rhythm. Scenes that want the audience to feel tension and action are generally edited to a fast pace, and the shots are therefore cut very quickly to help the scene feel more dramatic. In comparison, you can edit a scene slowly to add more suspense or to make the audience feel calmer or focus on something, depending on the genre. It is important that you use the correct editing rhythm with the right sort of genre, otherwise scenes may feel out of place and the film itself may not be as effective as it could be. This extract from The Silence of the Lambs also shows suspense, as the shots are generally quite short and the tension is really building up as they get closer and closer. This is generally a great technique to set the pace of the film and helps us feel emotion towards the main protagonist, which is vital.
In conclusion, the way that a film is edited is essential in making sure that you get a good response from the audience while also making sure that they don't get confused and can follow the story.












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